This dress doesn’t raise its voice. It doesn’t need to. Its presence is built on contrast—not of color, but of texture. Soft against structured. Matte against sheen. The smoothness of silk georgette layered with an embossed geometric motif creates a quiet interplay of surfaces that catch light only when they choose to.
The silhouette isn’t sculpted by complimentary shaping seams, but by the way the silk moves around the body. This design speaks a more modern language—where a rural simplicity transforms into quiet status. The shape is defined by softness: gentle gathers at the waist, the flow of the flared skirt, the natural rhythm of the fabric in motion.
The sleeves mirror this softness. With subtle volume at the cap and a gentle cinch at the cuff, they offer structure without weight—a compositional echo of the dress itself.
The fabric’s layered textures do more than decorate: they direct the eye. The shift between matte and sheen, between pattern and plain, forms an invisible architecture. The result is a silhouette shaped not only by the interweaving of different textures but also by light.
Available in Clam Shell—a soft, mineral pink beige—and Onyx, where depth becomes shadow. Each version carries its own energy: soft and refined in Clam Shell; mystical, perhaps even dramatic—or quietly timeless—in Onyx. Both belong to a woman who no longer needs to be outlined to be defined.
Style details:
Flared design with alternating textures of fabrics
Round neckline, finished with bias
3/4 sleeves with gathered caps and gathered ends of sleeves, finished with biases
Waistline and the extended bottom part of the skirt are gathered
Aesthetic features: The bodice and the bottom part of the skirt are made from an embossed geometric pattern; the sleeves and the upper part of the skirt - from a smooth texture fabric
